Instead of Big Goals, Try Small Experiments

Instead of Big Goals, Try Small Experiments

If you tend to start big dreams, ambitious goals or new projects and resolutions and then peter out, here’s something to try that can be a whole lot more fun and fulfilling.

I’m a big dreamer. I love working and playing towards grand visions and big dreams for my life.

I’m a Sagittarian, so my arrow is always aimed at some distant target. I feel energized by having big visions to guide my life. Bold, outrageous dreams inspire me. And I’ve realized some amazing dreams in my life.

But I’m also a huge fan of small experiments and bite-sized intentions or goals.

I love these for (at least) two reasons:

  • Bite-sized goals are the best way to have huge dreams actually come true.
  • Small experiments allow me to try on and accomplish things over a short period of time and to learn valuable new information.

New Moon Intentions and 30-Day Goals

I love playing with New Moon Intentions or 30-Day Goals. These are a great way to conduct small experiments and divide big dreams into do-able steps.

New moon by Nousnou Iwasaki

The cycle of a month or moon cycle is a perfect length for many experiments, intentions and small projects. It’s long enough to try something on or complete a small project, but short enough to keep your attention on it and see the end in sight.

Some of my students prefer 30-day goals, because it’s easier for them to track things by the month, starting a new goal, experiment or intention on the first of the month.

I prefer to start on the new moon because I like to align myself with the natural rhythms of the universe, to be connected to and supported by these rhythms. The new moon is an excellent time for undertaking new projects, as people have known for centuries.

Find out more about drawing on the power of the moon (and 30-day goals too!) here.

At the new moon I tune into my heart and soul and see what naturally arises as calling for my attention, what inspires me, what I’m longing for or drawn to, and/or what has the most energy right now. I trust what comes.

Sometimes it’s a concrete goal like sending poems to five magazines or getting my taxes done. Sometimes it’s an intention like cultivating gratitude and appreciation. A good small experiment is specific, clear and do-able: for example, playing my violin for ten minutes a day five days a week.

Smaller (and Slightly Larger) Experiments 

Some creative experiments lend themselves to even shorter or slightly longer time frames.

You may decide to do something every day for one week. Or you may commit to a program for three months.

Regardless of the length of the experiment, the process is essentially the same.

How To Conduct Your Small Experiments

Aiming at the target

by Annie Spratt, Unsplash

To play with a new goal, intention or small experiment, there are a few simple steps to follow:

  1. Name it clearly in a single sentence as an “I” statement. Here’s a recent example of one of mine “I complete my vision-mapping for the new year, guided by sacred wisdom and heart.” It helps if the language is inviting and compelling to you. Also be clear on the time frame of your experiment, when it starts and ends.
  2. Write it down and post it where you’ll see it daily.
  3. Commit to it 100%.
  4. Read your statement daily.
  5. Take steps toward it daily or weekly.
  6. Track the steps you take by marking it off on a calendar, keeping a log or giving yourself stickers. You could get yourself a cool Steal Like an Artist wall calendar here.
  7. At the end of the time frame, celebrate and reflect on how it went, so you can learn, honor and grow.

Read more about cultivating a new healthy habit in 30 days here.

What’s So Great About Small Experiments?

Small experiments are energizing and can be fun. You get to see real progress.

You also don’t feel trapped into doing something for the rest of your life, which is often a recipe for failure because it’s too daunting.

Small experiments are more honest and do-able. They pique my curiosity without feeling overwhelming. They empower me to try things on that I might not do otherwise.

Pretend You Are a Scientist

I like to approach small experiments with the attitude of a curious scientist.

I take the approach that it is truly an experiment. I’m learning. I am free to stop at the end of the agreed-upon time period, but I commit to conducting the experiment fully until then.

And I track my results in some way.

One Small Experiment I Tried

A few months ago I decided to experiment with doing the Tibetan Five Rites. These are a set of fairly simple exercises that build flexibility and core strength. They are said to promote longevity, youthfulness and health. In fact, the claims made about the benefits of doing these exercises daily are huge.

I had dabbled with doing these exercises off and on for years, but I was never consistent. At the best times I would do them a few times a week. I never noticed any noteworthy changes.

So, I decided to conduct a small experiment. The book about these rites claims that many people see marked changes after doing these exercises for just one month. I committed to doing them every day for a month.

Here’s What Happened

When I started out I had huge resistance to doing the exercises. I had to push myself to start them every day. I didn’t like doing them while I was doing them either. They felt hard and not fun. The first exercise, which involves spinning, made me dizzy and nauseous.

But I figured the resistance would diminish as I did them daily. It didn’t. It never got easier or more enjoyable.

I managed to do them 24 of the 30 days. One day I was traveling all day. A couple days I forgot. I probably just flaked the other 3 days. But 24 out of 30 is pretty good.

The striking thing was: There were no noticeable change in health or youthfulness, nor in enjoyment nor ease of doing the exercises.

What I Learned

These exercises aren’t for me.

It was a great relief to discover this. I’d always felt bad about not doing them more. Now I know I’m not missing out. I like to do sun salutations and other yoga. I love to dance and take walks. And these all give me great benefits.

I also learned that it was hard to be flawless with doing exercise every single day for 30 days, so the following month my small experiment was…

25 walks in 30 days

woman walking in wilds

by Michelle Spencer, Unsplash

I was thrilled from the moment I set this intention. I loved doing it, even when I had to squeeze in a 10-minute walk in the dark at the end of the day.

I hope this inspires you to try your own small experiments. They can be in any area of your life—creativity, relationships, health, home, etc.

What small experiment will you take on for the next 30 days?

Share in the comments below to give it extra power.

If you need help figuring out a good small experiment, post in the comments below what it is you are wanting to focus on, cultivate or do. I will give you a suggestion of a good small experiment to try.

To your fun and fulfilling life,

Maxima

Great Artists Steal or How to Learn from the Masters

Great Artists Steal or How to Learn from the Masters

T.S. Eliot famously wrote, “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.”

What did Eliot mean by this seemingly outrageous assertion? He wasn’t talking about plagiarism, which would be directly quoting or copying exactly another artist’s work. What he was talking about is recognizing great ideas, great techniques, great tools and making them your own.

When you borrow something, it doesn’t belong to you. When you steal, it becomes yours, a part of your unique artistic style.

How To Steal and Make It Your Own

  • You observe closely. Take note of exactly what the artist is doing that makes their work so powerful and effective. What is the shape and weight of the line? How do they create that shading effect? Where are the line breaks in the poem? How is metaphor used? What is the structure of the musical piece? What is unusual about the harmony, the melody? Most of all, what is it you like so much about it?
  • Man playing piano

    by Francisco Gomes on Unsplash

    You start by copying. Many student artists are given the assignment to reproduce a great work of art. Many musicians learn to play note-for-note the solos that great performers improvised. This is phenomenal training. If you can pull it off, as closely as possible, you will learn an enormous amount about how to make a great work of art.

    And, significantly, you will learn it in your body. As your hand attempts to create the exact curve and delicacy of line of a Michelangelo sketch, your body engages in deep learning about beauty, art and drawing. When you learn something in your body, as opposed to just consuming information in your mind, you truly learn it. It becomes a part of you.

  • You adapt what you love to your own art. Once you’ve learned the techniques and embodied them, you return to your own voice and aesthetic, your unique expression, enriched with a powerful palette. Now, your job is to find exciting, inventive, imaginative ways to use those tools and techniques to express what is uniquely you. Now it is time to be authentic, to say what you need to say, while using what you’ve learned works to make extraordinary art.

    The brilliant editor Shawn Coyne [visit his site Storygrid.com for loads of free, useful information] talks about the importance of including in your writing the “obligatory scenes” and “conventions” of whatever genre you are writing in. He stresses that a story won’t “work” for readers without these scenes and conventions. For instance, the thriller genre must include a scene of the “hero at the mercy of the villain.” And yet, he adds, the challenge and the art is to create those obligatory scenes and satisfy those conventions of the genre in new and surprising ways.

Learn By Copying

I once typed up all of Salinger’s masterful short story “A Perfect Day for Bananafish,” so I could feel what it took to write a great short story. I learned so much about how the story was made, even though I had read it many times before. For example, I was surprised to discover how much of the story is dialogue.

I got the idea to type Salinger’s story from the great Hungarian composer Bela Bartok. Bartok copied by hand all of Beethoven’s string quartets before writing one of his own, so he knew what it would feel like to write a great quartet. Time-consuming, painstaking work. The result:  He wrote six magnificent string quartets of his own that sound nothing like Beethoven.

When You Need Inspiration, Look Around You

Artist at desk

by Tamarcus Brown on Unsplash

As a graphic designer, when I needed a great idea for a new client or project, I would start by looking at other designs—on book covers, coffee cans, posters—and also in nature and all around me. I would look for colors, shapes, ideas that jumped out at me. And I would steal: That use of layout, those wonderful colors, that arrow highlighting an important element.

Sometimes I practiced reproducing a layout exactly, so I could learn how to do it. I’d often have to discover new uses of tools on my computer.

But my designs were my own. I stole elements and great ideas from other designers, but not whole designs. In this way, I expanded my palette as a designer and didn’t get stuck in ruts.

I often practice writing poems and stories, modeling the style, voice and/or exact forms of other poets. This is a way of apprenticing myself to them and getting new ideas, new possibilities.

My students worry that if they do this, they will sound too much like some other writer. My feeling is that you would be very fortunate indeed if you manage to create something truly reminiscent of some famous writer. In the process, you will be becoming a better writer. And then, you can use that knowledge to sound more like yourself. 

Become an Apprentice

If you want to be great, study the masters. Artists apprentice themselves to great artists in order to learn, to grow, to study their art and craft. David Levine wrote about this, “Shakespeare routinely stole plotlines and even whole scenes from other writers for his own plays.” Remember, stealing means making it your own, not just direct imitation.

Austin Kleon wrote a wonderfully inspiring, helpful, wise and fun book that leaps off from this idea of theft as being important to the creation of art. His book is called Steal Like An Artist. I recommend it highly.

What artist will you commit to studying in depth and stealing from today?

In my next post, I’ll give you a specific “stealing” assignment, a creative prompt based on the work of another artist, for you to use as a jumping off place. Stay tuned!

6 Essential Ingredients Webinar

6 Essential Ingredients Webinar

The 6 Essential Ingredients You Need
to Thrive in Your Creative Life

A completely FREE, interactive 90-minute webinar with Maxima Kahn

Tuesday, August 22 from 4:00 – 5:30 p.m. PST
(To find out when that is in your time zone, click here.)

You’re invited. To register, send me an email here.

Note: You’ll need to register at least 30 minutes ahead in order to receive the connection information.

Why Do I Need These Ingredients?

Lacking these 6 Ingredients, creative people tend to spin their wheels and blame themselves for their failures to realize their dreams. They feel frustrated, blocked, uninspired and confused.

These 6 Essential Ingredients make a huge difference in your creativity, fulfillment and enjoyment. And you can easily begin adding them to your life now.

Maxima KahnWhat You’ll Receive:

♥ We will dive into the 6 Essentials Ingredients you need to thrive in a brilliant creative life. What they are, why you need them, and how you can bring them into your life now.

♥ You’ll identify the most essential ingredient for your creative life now. Focusing on bringing this in can radically boost your creativity.

♥  You’ll leave with ideas and action steps to bring these ingredients into your life.

♥  I’ll answer your questions and offer free coaching around the 6 Essential Ingredients.

♥  And you’ll receive a copy of my e-book The 6 Essential Ingredients of a Brilliant Life.

This is my gift to you.

Join me for this free webinar and see how your creative life can be transformed.

Feel free to share this with friends.

To register, email me here.

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